{"id":1276,"date":"2016-03-28T12:48:45","date_gmt":"2016-03-28T10:48:45","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=1276"},"modified":"2016-05-03T12:52:25","modified_gmt":"2016-05-03T10:52:25","slug":"4-srecanje-afriskega-literarnega-krozka-boubacar-boris-diop","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=1276","title":{"rendered":"4. sre\u010danje Afri\u0161kega literarnega kro\u017eka: Boubacar Boris Diop"},"content":{"rendered":"<div style=\"text-align: center;\">Na tretjem sre\u010danju Afri\u0161kega literarnega kro\u017eka je pogovor tekel o romanu <i>Pivo v biljardnici\u00a0<\/i>egip\u010danskega avtorja Waguiha Ghalija. Spregovorili smo o egip\u010danski zgodovini, obdobju po Sue\u0161ki vojni, ki ga roman opisuje, o odstopu od postkolonialne misli, o temi dislociranosti, o cinizmu ter humorju v romanu in \u0161e \u010dem. Strinjali smo se, da je roman precej izraziteje vpet v zahodno literarno tradicijo kot prej\u0161nja dva romana, ki smo ju prebrali.<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1277\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/afr-300x225.jpg\" alt=\"afr\" width=\"300\" height=\"225\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/afr-300x225.jpg 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/afr.jpg 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">Tudi pri naslednjem branju bomo posegli po sve\u017ee izdanem prevodu. Tokrat bomo prek fiktivne pripovedi senegalskega avtorja <a href=\"https:\/\/en.wikipedia.org\/wiki\/Boubacar_Boris_Diop\">Boubacarja Borisa Diopa <\/a>v romanu <i><a href=\"http:\/\/www.zalozbacf.si\/index.php\/murambi-knjiga-o-okostjih.html\">Murambi, knjiga o okostjih<\/a>\u00a0<\/i>(prevod: Marjeta Novak Kajzer, zalo\u017eba .cf*)\u00a0brali o Ruandi. Knjiga je nastala v sklopu projekta &#8220;Rwanda: To Write Against Oblivion&#8221;, ki je deset afri\u0161kih pisateljev za dva meseca leta 1998 prenesel v Ruando, kjer so pobli\u017eje spoznali \u0161e ne polpreteklo zgodovino ter genocid leta 1994.<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">Diop (1946, Dakar) je senegalski pisatelj, novinar. Doslej je napisal 8 romanov ter zbirko kratkih zgodb. Pi\u0161e tako v franco\u0161\u010dini kot v svojem maternem jeziku, <i>Wolofu<\/i>.<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1278\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/boubacar-boris-diop-297x300.jpg\" alt=\"boubacar-boris-diop\" width=\"274\" height=\"277\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/boubacar-boris-diop-297x300.jpg 297w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2016\/03\/boubacar-boris-diop.jpg 495w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">Sre\u010dali se bomo 4.5.2016 ob 18.00, v prostorih \u0160kratove \u010ditalnice.<\/div>\n<div style=\"text-align: center;\"><em>Vabljene, vabljeni!<\/em><\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><\/div>\n<h6 style=\"text-align: center;\">Afri\u0161ki literarni kro\u017eek vodita Petra in Anu\u0161a, odvija se znotraj triletnega programa \u0160kratova \u010citalnica, ki ga sofinancira Mestna ob\u010dina Ljubljana.<\/h6>\n<h6 style=\"text-align: center;\"><\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Na tretjem sre\u010danju Afri\u0161kega literarnega kro\u017eka je pogovor tekel o romanu Pivo v biljardnici\u00a0egip\u010danskega avtorja Waguiha Ghalija. Spregovorili smo o egip\u010danski zgodovini, obdobju po Sue\u0161ki vojni, ki ga roman opisuje, o odstopu od postkolonialne misli, o temi dislociranosti, o cinizmu ter humorju v romanu in \u0161e \u010dem. Strinjali smo se, da je roman precej izraziteje [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1276","post","type-post","status-publish","format-standard","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1276"}],"version-history":[{"count":2,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1276\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1276\/revisions\/1339"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}