{"id":1598,"date":"2017-05-08T09:24:33","date_gmt":"2017-05-08T07:24:33","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=1598"},"modified":"2017-05-24T16:57:08","modified_gmt":"2017-05-24T14:57:08","slug":"revija-ekran-vas-v-sodelovanju-s-skratovo-citalnico-vabi-na-filmski-studijski-krozek-filmi-predmestja","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=1598","title":{"rendered":"Revija Ekran vas v sodelovanju s \u0160kratovo \u010ditalnico vabi na filmski \u0161tudijski kro\u017eek Filmi predmestja"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Revija Ekran<\/strong> vas v sodelovanju s <strong>\u0160kratovo \u010ditalnico<\/strong> vabi na filmski \u0161tudijski kro\u017eek<\/p>\n<p style=\"text-align: center;\"><strong>Filmi predmestja<\/strong><\/p>\n<p style=\"text-align: center;\">Dvaindvajset let po tem, ko je na platna pri\u0161el Kassovitzov kultni <strong>La Haine<\/strong> (1995), se <em>cinema banlieue<\/em> znova ka\u017ee kot aktualen filmski \u017eanr. Predmestni stanovanjski projekti na obrobjih Pariza so kljub kratkim medijskim pozornostim ob ob\u010dasnih nemirih \u0161e vedno obrobni, je pa zato problematika predmestij ob zaostrovanju dru\u017ebeno-ekonomske situacije njenih prebivalcev, ob pove\u010danem priseljevanju in zaradi vzpona nacionalizma pridobila na kompleksnosti.<\/p>\n<p style=\"text-align: center;\">S pomo\u010djo primerov novej\u0161ih &#8220;filmov predmestij&#8221; bomo na filmskem \u0161tudijskem kro\u017eku posku\u0161ali spregovoriti o sodobnih razli\u010dicah \u017eanra, o urbanisti\u010dnih pogojih, ki so omogo\u010dili njegov nastanek, in o politi\u010dno-ekonomskem vidiku vpra\u0161anja. Ob filmih, kot sta <strong>Banda punc<\/strong> (Bande de filles, C\u00e9line Sciamma, 2014) ter <strong>Divines <\/strong>(Houda Benyamina, 2016), bomo razmi\u0161ljali o odstopanju od \u017ee vzpostavljenih \u017eanrskih norm.<\/p>\n<p style=\"text-align: center;\">Obenem se bomo z ogledom in analizami Godardovega <strong>Dve ali tri stvari, ki jih vem o njej<\/strong> (Deux ou Trois choses que je sais d&#8217;elle, 1967) in Charefovega <strong>\u010caja v haremu<\/strong> (Le Th\u00e9 au harem d&#8217;Archim\u00e8de, 1985) vra\u010dali v predzgodovino \u017eanra. Pozabili ne bomo niti na ume\u0161\u010denost v specifi\u010den, arhitekturno planiran prostor, zato bomo sku\u0161ali nakazati tudi za \u017eanr pomembne aspekte tovrstnega urbanisti\u010dnega okolja.<\/p>\n<p style=\"text-align: center;\">Pogoj za udele\u017ebo na seminarju je prebrana literatura in ogledani fimi.<\/p>\n<p style=\"text-align: center;\">Na seminar se je treba prijaviti na elektronski naslov <strong>info@ekran.si<\/strong>, kjer boste dobili tudi vse ostale informacije, povezane z izvedbo seminarja.<\/p>\n<p style=\"text-align: center;\">Uvodno sre\u010danje bo <strong>v \u010detrtek, 11. maja, ob 19. uri<\/strong> v \u0160kratovi \u010ditalnici (5. nadstropje Kersnikove 4).<\/p>\n<p style=\"text-align: center;\">Se vidimo!<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1599\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/la-heine-1024x614.jpg\" alt=\"La Haine\" width=\"622\" height=\"373\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/la-heine-1024x614.jpg 1024w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/la-heine-300x180.jpg 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/la-heine-768x461.jpg 768w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong><em>Fotografiji s prvega in drugega sre\u010danja kro\u017eka, na katerega se lahko \u0161e vedno prijavite:<\/em><\/strong><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1612 aligncenter\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170518_191009-300x225.jpg\" alt=\"sdr\" width=\"300\" height=\"225\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170518_191009-300x225.jpg 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170518_191009-768x576.jpg 768w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170518_191009-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1614 aligncenter\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170511_190943-225x300.jpg\" alt=\"sdr\" width=\"225\" height=\"300\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170511_190943-225x300.jpg 225w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2017\/05\/IMG_20170511_190943-768x1024.jpg 768w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Revija Ekran vas v sodelovanju s \u0160kratovo \u010ditalnico vabi na filmski \u0161tudijski kro\u017eek Filmi predmestja Dvaindvajset let po tem, ko je na platna pri\u0161el Kassovitzov kultni La Haine (1995), se cinema banlieue znova ka\u017ee kot aktualen filmski \u017eanr. Predmestni stanovanjski projekti na obrobjih Pariza so kljub kratkim medijskim pozornostim ob ob\u010dasnih nemirih \u0161e vedno obrobni, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1598","post","type-post","status-publish","format-standard","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1598"}],"version-history":[{"count":4,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1598\/revisions"}],"predecessor-version":[{"id":1616,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1598\/revisions\/1616"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}