{"id":1865,"date":"2018-11-11T13:28:13","date_gmt":"2018-11-11T12:28:13","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=1865"},"modified":"2019-10-12T21:06:06","modified_gmt":"2019-10-12T19:06:06","slug":"lezbicno-gledalisce-in-gledalisce-cisce-maja-sorli","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=1865","title":{"rendered":"Lezbi\u010dno gledali\u0161\u010de in gledali\u0161\u010de \u010di\u0161\u010de \u2013 Maja \u0160orli: Ponedeljek, 19. november 2018 ob 20:00\u201322:00"},"content":{"rendered":"<p style=\"text-align: center;\">Ali v Sloveniji obstajajo uprizoritve, ki jih lahko razumemo kot primer lezbi\u010dnega gledali\u0161\u010da? Kako sploh konceptualizirati ta pojem in ali ima model tak\u0161nega gledali\u0161\u010da v Sloveniji lahko prihodnost? In kaj je gledali\u0161\u010de \u010di\u0161\u010de, \u017eanr, ki ga je Maja \u0160orli v Manifestu za novo gledali\u0161\u010de v reviji Dialogi leta 2017 definirala kot obrobno, a hkrati osvobojeno gledali\u0161ko prakso. V predavanju bomo skupaj poiskali teoretsko prese\u010di\u0161\u010de med tema dvema pojmoma in gledali\u0161ki u\u017eitek, ki ga obe praksi lahko ponudita danes.<\/p>\n<p>Maja \u0160orli je urednica, raziskovalka, avtorica umetni\u0161kih in strokovnih gledali\u0161kih besedil, dramaturginja, scenaristka in pedagoginja. Doktorirala je leta 2011 na UL AGRFT, kjer je zaposlena kot raziskovalka, predvsem pa je samozaposlena v kulturi kot dramaturginja. Leta 2014 je objavila znanstveno monografijo Slovenska postdramska pomlad (Knji\u017enica MGL). Souredila je monografije Skupnost emancipiranih misli in teles (Emanat, 2018), Hibridni prostori umetnosti (UL ARGFT in MASKA, 2012) in Dinamika sprememb v slovenskem gledali\u0161\u010du 20. stoletja (UL ARGFT in MASKA, 2010).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1743\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2018\/02\/Screen-Shot-2017-03-14-at-8.39.19-PM-1024x632-300x185.png\" alt=\"\" width=\"300\" height=\"185\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2018\/02\/Screen-Shot-2017-03-14-at-8.39.19-PM-1024x632-300x185.png 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2018\/02\/Screen-Shot-2017-03-14-at-8.39.19-PM-1024x632-768x474.png 768w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2018\/02\/Screen-Shot-2017-03-14-at-8.39.19-PM-1024x632.png 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: center;\">Cikel predavanj Feminizem danes pripravljata Jasmina Zalo\u017enik in Katja \u010ci\u010digoj, v sodelovanju s KUD-om Anarhiv (v okviru programa \u0160kratova \u010ditalnica).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ali v Sloveniji obstajajo uprizoritve, ki jih lahko razumemo kot primer lezbi\u010dnega gledali\u0161\u010da? Kako sploh konceptualizirati ta pojem in ali ima model tak\u0161nega gledali\u0161\u010da v Sloveniji lahko prihodnost? In kaj je gledali\u0161\u010de \u010di\u0161\u010de, \u017eanr, ki ga je Maja \u0160orli v Manifestu za novo gledali\u0161\u010de v reviji Dialogi leta 2017 definirala kot obrobno, a hkrati osvobojeno [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2013,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1865"}],"version-history":[{"count":3,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1865\/revisions"}],"predecessor-version":[{"id":2126,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/1865\/revisions\/2126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/media\/2013"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}