{"id":2724,"date":"2020-10-21T12:27:02","date_gmt":"2020-10-21T10:27:02","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=2724"},"modified":"2020-10-21T12:27:03","modified_gmt":"2020-10-21T10:27:03","slug":"porocilo-z-drugega-francoskega-literarnega-krozka-marguerite-duras-loeuvre-au-noir","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=2724","title":{"rendered":"Poro\u010dilo z drugega francoskega literarnega kro\u017eka: Marguerite Duras, L&#8217;oeuvre au noir"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;oeuvre au noir, roman, za katerega je Marguerite Duras prejela literarno nagrado Prix Femina, je dale\u010d od lahkega branja, vendar sta tako njen izpiljeni slog kakor vsebina za bralke nagrajujo\u010da. Spoznali smo namre\u010d izjemno zanimivo \u017eivljenje vsestranskega \u010dloveka, ki je bival v \u010dasu, ki se nam zdi \u017ee zelo oddaljen.<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\">Prihodnji\u010d se dobimo 16. novembra, ko bomo govorili o romanu Vie, mode d&#8217;emploi, francoskega pisatelja Georgea Pereca. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prav lepo vabljeni!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;oeuvre au noir, roman, za katerega je Marguerite Duras prejela literarno nagrado Prix Femina, je dale\u010d od lahkega branja, vendar sta tako njen izpiljeni slog kakor vsebina za bralke nagrajujo\u010da. Spoznali smo namre\u010d izjemno zanimivo \u017eivljenje vsestranskega \u010dloveka, ki je bival v \u010dasu, ki se nam zdi \u017ee zelo oddaljen. Prihodnji\u010d se dobimo 16. novembra, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":2725,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2724"}],"version-history":[{"count":1,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2724\/revisions"}],"predecessor-version":[{"id":2726,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2724\/revisions\/2726"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/media\/2725"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}