{"id":2754,"date":"2020-11-16T08:49:56","date_gmt":"2020-11-16T07:49:56","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=2754"},"modified":"2020-12-28T16:50:52","modified_gmt":"2020-12-28T15:50:52","slug":"po-poteh-francoske-knjizevnosti-francoski-litararni-krozek-se-seli-na-splet","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=2754","title":{"rendered":"Po poteh francoske knji\u017eevnosti &#8211; Francoski literarni kro\u017eek se seli na splet"},"content":{"rendered":"\n<p>V ponedeljek, 16.11 ob 17:30 vabljeni, da se pridru\u017eite 3. francoskemu literarnemu kro\u017eku. Obvezne prijave na aicha.boughazi.92@gmail.com<\/p>\n\n\n\n<p>Tokrat se bomo pogovarjali o romanu Vie mode d\u2019emploi pisatelja Georga Pereca. Roman \u017divljenje, navodila za uporabo po svoji nenavadni zgradbi hkrati spominja na na\u010drt hi\u0161e, kri\u017eanko in sestavljanko zgodb, v kateri se \u017eivahno sre\u010dujejo glavni junaki osrednje zgodbe: Bartlebooth \u2013 \u00bbmo\u017e, ki je slikal akvarele in iz motivov naro\u010dal izdelovanje puzzlov\u00ab, Winckler \u2013 \u00bb \/&#8230;\/<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"500\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2020\/11\/la-vie-mode-d-emploi-125899.jpg\" alt=\"\" data-id=\"2755\" data-full-url=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2020\/11\/la-vie-mode-d-emploi-125899.jpg\" data-link=\"http:\/\/kudanarhiv.org\/?attachment_id=2755\" class=\"wp-image-2755\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2020\/11\/la-vie-mode-d-emploi-125899.jpg 334w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2020\/11\/la-vie-mode-d-emploi-125899-200x300.jpg 200w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Georges Perec je ustvaril pravo simfonijo zgodbarstva, o pri\u010dujo\u010dem romanu pa je Jacques Roubaud zapisal, da ga je mogo\u010de \u00bbbrati tako u\u010deno kot nedol\u017eno\u00ab.<\/p>\n\n\n\n<p>V sezoni 2020\/21 v sodelovanju s KUD Anarhiv (program \u0160kratova \u010ditalnica) poteka francoski literarni kro\u017eek, kjer se na vsakem sre\u010danju pogovarjamo o enem izmed sodobnih romanov znanih frankofonih pisateljic in pisateljev. Beremo v izvirniku, prav tako tudi kro\u017eek praviloma poteka v franco\u0161\u010dini, torej je namenjen vsem, ki imate solidno znanje francoskega jezika (vsaj nivo B1) in radi berete sodobno leposlovje. <\/p>\n\n\n\n<p>Leto\u0161nja novost: namesto dveh romanov, ogled dveh filmov! Naslovi sledijo kmalu.<\/p>\n\n\n\n<p>Francoski literarni kro\u017eek vodi mag. anglistike in franco\u0161\u010dine, Aicha Boughazi, ki je v letu 2015\/2016 vodila brezpla\u010dni francoski kro\u017eek v okviru KUD Anarhiv (\u0160kratova \u010ditalnica) ter spomladi 2017 tudi prvo edicijo Francoskega literarnega kro\u017eka.<\/p>\n\n\n\n<p>Francoski literarni kro\u017eek sofinancirata KUD Anarhiv (program \u0160kratova \u010ditalnica) in Mestna knji\u017enica Ljubljana.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V ponedeljek, 16.11 ob 17:30 vabljeni, da se pridru\u017eite 3. francoskemu literarnemu kro\u017eku. Obvezne prijave na aicha.boughazi.92@gmail.com Tokrat se bomo pogovarjali o romanu Vie mode d\u2019emploi pisatelja Georga Pereca. Roman \u017divljenje, navodila za uporabo po svoji nenavadni zgradbi hkrati spominja na na\u010drt hi\u0161e, kri\u017eanko in sestavljanko zgodb, v kateri se \u017eivahno sre\u010dujejo glavni junaki osrednje [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":2755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2754"}],"version-history":[{"count":3,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2754\/revisions"}],"predecessor-version":[{"id":2778,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/2754\/revisions\/2778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/media\/2755"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}