{"id":3024,"date":"2022-05-17T11:45:00","date_gmt":"2022-05-17T09:45:00","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=3024"},"modified":"2022-06-26T12:14:41","modified_gmt":"2022-06-26T10:14:41","slug":"porocilo-s-sedmega-srecanja-5-edicije-francoskega-literarnega-krozka","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=3024","title":{"rendered":"PORO\u010cILO S sedmega SRE\u010cANJA 5. EDICIJE FRANCOSKEGA LITERARNEGA KRO\u017dKA"},"content":{"rendered":"\n<p class=\"has-text-align-center wp-block-paragraph\">Predzadnje sre\u010danje leto\u0161njega francoskega literarnega kro\u017eka, ko smo govorile o romanu Yasmine Khadra z naslovom<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><em>Ce&nbsp;que le jour doit&nbsp;\u00e0&nbsp;la nu<\/em>i<\/strong><em><strong>t&nbsp;<\/strong>(To, kar dan dolguje no\u010di) je bilo zelo \u017eivahno. Dru\u017eno smo rekonstruirale zgodbo, se spominjale&nbsp;mnogih likov in roman primerjale&nbsp;s filmom ter se nenazadnje tudi spra\u0161evale o zgodovinskem kontekstu, v katerega je zgodba vpeta.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1-1024x768.jpg\" alt=\"\" class=\"wp-image-3025\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1-1024x768.jpg 1024w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1-300x225.jpg 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1-768x576.jpg 768w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1-1536x1152.jpg 1536w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2022\/06\/Ce-que-le-jour-doit-a-la-nuit-1.jpg 1632w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Zadnje sre\u010danje kro\u017eka pa namenjamo romanu&nbsp;<strong>Le sermon sur la chute de Rome<\/strong>,&nbsp;ki je leta 2012 prejel Goncourtovo nagrado.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Prav tako te vabimo, da se nam pridru\u017ei\u0161 naslednj<\/em>e <em>leto in do srede junija sporo\u010di\u0161, katere rom<\/em>ane<em> bi si \u017eelel\/a brati.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>A bient\u00f4t ! \ud83d\ude09<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Francoski literarni kro\u017eek vodi mag. anglistike in franco\u0161\u010dine, Aicha Boughazi, ki je v letu 2015\/2016 vodila brezpla\u010dni francoski kro\u017eek v okviru KUD Anarhiv (\u0160kratova \u010ditalnica) ter spomladi 2017 tudi prvo edicijo Francoskega literarnega kro\u017eka.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francoski literarni kro\u017eek sofinancirajo KUD Anarhiv (program \u0160kratova \u010ditalnica), Mestna ob\u010dina Ljubljana in Mestna knji\u017enica Ljubljana.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/skratova-logo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/skratova-logo.png\" alt=\"\" class=\"wp-image-2903\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/skratova-logo.png 200w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/skratova-logo-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/mol-logo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"124\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/mol-logo.png\" alt=\"\" class=\"wp-image-2904\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/mol-logo.png 407w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/08\/mol-logo-300x91.png 300w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/10\/mkl-logo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"153\" height=\"122\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2021\/10\/mkl-logo.png\" alt=\"\" class=\"wp-image-2921\"\/><\/a><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Predzadnje sre\u010danje leto\u0161njega francoskega literarnega kro\u017eka, ko smo govorile o romanu Yasmine Khadra z naslovom Ce&nbsp;que le jour doit&nbsp;\u00e0&nbsp;la nuit&nbsp;(To, kar dan dolguje no\u010di) je bilo zelo \u017eivahno. Dru\u017eno smo rekonstruirale zgodbo, se spominjale&nbsp;mnogih likov in roman primerjale&nbsp;s filmom ter se nenazadnje tudi spra\u0161evale o zgodovinskem kontekstu, v katerega je zgodba vpeta. Zadnje sre\u010danje kro\u017eka [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":3036,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,3],"tags":[],"class_list":["post-3024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-branja-info","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/3024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3024"}],"version-history":[{"count":2,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/3024\/revisions"}],"predecessor-version":[{"id":3037,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/3024\/revisions\/3037"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/media\/3036"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}