{"id":506,"date":"2014-09-30T07:19:23","date_gmt":"2014-09-30T05:19:23","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=506"},"modified":"2014-09-30T07:23:07","modified_gmt":"2014-09-30T05:23:07","slug":"filmski-klub-1-domaca-naloga","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=506","title":{"rendered":"Filmski Klub: 1. doma\u010da naloga"},"content":{"rendered":"

Za prvo \u00bbdoma\u010do nalogo\u00ab si pogledate film\u00a0Malte\u0161ki sokol<\/strong><\/em>\u00a0(1941), ki si ga lahko izposodite v Knji\u017enica \u0160i\u0161ka.<\/p>\n

Ob gledanju filma razmi\u0161ljajte o kinematskih kodih, o katerih smo se pogovarjali.<\/p>\n

\u010ce ste Malte\u0161ki sokol \u017ee videli, si lahko namesto njega pogledate\u00a0Mo\u017e s kamero\u00a0<\/strong><\/em>Dzige Vertova (1929); ob gledanju slednjega prav tako razmi\u0161ljate o kinematskih kodih ter o relaciji med filmom in politiko: problem estetika politike \/ politika estetike. Film je v celoti na voljo na kanalu Youtube.<\/p>\n

O izbranem filmu vabljeni, da zapi\u0161ete vtise in jih delite z nami na naslednjem sre\u010danju, ki bo\u00a027.10.2014., ob 18.00.\u00a0<\/em><\/strong><\/p>\n

O kinematografskih kodih, v navezi na problem poskusa opredelitve filma, lahko razmi\u0161ljate tudi prek teksta \u00bbThe World Viewed\u00ab Stanleya Cavella:<\/p>\n

http:\/\/filmphilosophy.squarespace.com\/storage\/documentos\/Sesso%202%20-%20Leitura%20I.pdf<\/a><\/p>\n

Bistvene poante teksta bom predstavila na naslednjem sre\u010danju, vas pa povabila k diskusiji, ki jo bomo peljali prek izbranih filmov za va\u0161o prvo doma\u010do nalogo.<\/p>\n

Prav tako prilagam seznam uporabljene literature, spodaj dodajam tudi seznam priporo\u010dene literature:<\/p>\n

Francesco Casetti.\u00a02008.\u00a0Ey<\/em>e of the Century: Film, Experience, Modernity. Columbia University Press.<\/h5>\n
Peter Stankovi\u0107.\u00a02004.\u00a0<\/strong>\u0160tudijsko gradivo pri predmetu Kultura medijev.\u00a0FDV (uporabljeno pri razlagi kinematskih kodov)<\/h5>\n

Barthes, R.\u00a0(2004):\u00a0Camera Lucida. Zapiski o fotografiji<\/em>. Studia humanitatis, Ljubljana.<\/p>\n

Barthes, Roland.<\/strong>\u00a01987:\u00a0Ko grem iz kina.<\/em>\u00a0V\u00a0Lekcija teme, Zbornik filmske teorije<\/em>, ur.\u00a0Zdenko Vrdlovec, 6-11. Ljubljana: DZS.<\/p>\n

Bazin,\u00a0Andr\u00e9.\u00a0<\/strong>2008: Razvoj kinematografske govorice.\u00a0Kino!<\/em>, IV: 211-221,<\/p>\n

-II-. Kaj je film? Monografija, KINO!<\/p>\n

Beller, J.<\/strong>\u00a0(2006):\u00a0The cinematic mode of production. Attention Economy and the Society of Spectacle<\/em>. University Press of England, Hanover in London.<\/p>\n

Bonitzer, Pascal.<\/strong>\u00a01987.\u00a0Zrno realnega<\/em>. V\u00a0Lekcija teme: zbornik filmske teorije<\/em>, ur. Zdenko Vrdlovec, 163-194. Ljubljana: Dr\u017eavna zalo\u017eba Slovenije.<\/p>\n

Michel Foucault.<\/strong>\u00a02010. Besede in re\u010di. Studia Humanitatis.<\/p>\n

EJZEN\u0160TEJN, et.a.<\/strong>\u00a02011. Sovjetski monta\u017eni film, zbornik. Studia humanitatis. Prevod:\u00a0Da\u0161a Cerar, Jernej Habjan, Marko Kr\u017ean, Tja\u0161a Tom\u0161i\u010d, Uro\u0161 Zorman<\/p>\n

Mulvey, Laura: Visual Pleasure and Narrative Cinema (1975)\u00a0<\/strong>http:\/\/imlportfolio.usc.edu\/ctcs505\/mulveyVisualPleasureNarrativeCinema.pdf<\/a><\/p>\n

Priporo\u010dena literatura:<\/strong><\/p>\n

Benjamin, W.<\/strong>\u00a0(2003):\u00a0Izbrani spisi<\/em>. Studia humanitatis, Ljubljana.<\/p>\n

Jean-Louis Baudry and Alan Williams<\/strong>. Ideological Effects of the Basic Cinematographic Apparatus. Source: Film Quarterly, Vol. 28, No. 2, (Winter, 1974-1975), pp. 39-47<\/p>\n

Dostopno na:\u00a0http:\/\/iedimagen.files.wordpress.com\/2011\/11\/baudry-jean-louis_ideological-effects-of-the-basic-cinematographic-apparatus.pdf<\/a><\/p>\n

Cook, P.<\/strong>\u00a0(2007):\u00a0Knjiga o filmu<\/em>. Umco in Slovenska kinoteka, Ljubljana.<\/p>\n

Deleuze, G.<\/strong>\u00a0(2004):\u00a0Podoba \u2013 gibanje<\/em>. Studia humanitatis, Ljubljana.<\/p>\n

Deleuze, G.<\/strong>\u00a0(2005):\u00a0Cinema 2: The Time-Image<\/em>. Continuum, London.<\/p>\n

Kaplan, E. A.<\/strong>\u00a0(1990):\u00a0Psychoanalysis and Cinema<\/em>. Routledge, New York.<\/p>\n

Komelj, Miklav\u017e.<\/strong>\u00a02007. Metoda Entuziazma.\u00a0Kino!<\/em>\u00a01: 244-279.<\/p>\n

Nancy, J.-L.<\/strong>\u00a0(2009):\u00a0Evidenca filma: Abbas Kiarostami<\/em>. Dru\u0161tvo za \u0161irjenje filmske kulture Kino!, Dru\u0161tvo za o\u017eivljanje zgodbe 2 koluta, Ljubljana.<\/p>\n

Pelko, S.<\/strong>\u00a0(2006):\u00a0Podoba misli<\/em>. \u0160tudentska zalo\u017eba, Ljubljana.<\/p>\n

Pelko, S.<\/strong>\u00a0(2004):\u00a0Analyser deleuzement, spremna beseda<\/em>. Studia humanitatis, Ljubljana.<\/p>\n

Shaviro, Steven.<\/strong>\u00a02010. Post-Cinematic Affect: On Grace Jones,\u00a0Boarding Gate\u00a0and\u00a0Southland Tales. Dostopno na:\u00a0http:\/\/www.film-philosophy.com\/index.php\/f-p\/article\/view\/220<\/a><\/p>\n

Shaw, D.<\/strong>\u00a0(2008):\u00a0Film and philosophy: taking movies seriously<\/em>. Wallflower: London, New York,.<\/p>\n

\u0160prah, A.<\/strong>\u00a0(2009):\u00a0Jean-Luc Nancy\/Abbas Kiarostami: soo\u010denje v prehajanju. V Evidenca filma: Abbas Kiarostami<\/em>. Dru\u0161tvo za o\u017eivljanje filmske kulture! in Dru\u0161tvo za o\u017eivljanje zgodbe 2 koluta. Ljubljana.<\/p>\n

\u0160prah, A<\/strong>. (1998):\u00a0Dokumentarni film in oblast: vpra\u0161anje propagande in neigrane filmske produkcije v \u010dasu med oktobrsko revolucijo<\/em>. Slovenska kinoteka, Ljubljana.<\/p>\n

Turner, Graeme.<\/strong>\u00a02004.\u00a0Filmski jezik<\/em>. V\u00a0Medijska kultura: kako brati medijske tekste<\/em>, ur. Breda Luthar, Vida Zei in Hanno Hardt, 339-355. Ljubljana: \u0160tudentska zalo\u017eba.<\/p>\n

Villain, D.<\/strong>\u00a0(2000):\u00a0Monta\u017e<\/em>a. Slovenska kinoteka, Ljubljana.<\/p>\n

Vrdlovec, Z.<\/strong>\u00a0(1987):\u00a0Lepota prevare<\/em>. Analecta, Ljubljana.<\/p>\n

Vrdlovec, Zdenko.<\/strong>\u00a02001.\u00a0Predgovor: Cinefilska etika<\/em>. V\u00a0Filmski spisi<\/em>, ur. Zdenko Vrdlovec, 7-12. Ljubljana: Slovenska kinoteka.<\/p>\n

Zajc, M.<\/strong>\u00a0(2005):\u00a0Digitalne podobe: vidnost, vednost in digitalni mediji.\u00a0<\/em>Institutum Studiorum Humanitatis, Fakulteta za podiplomski humanisti\u010dni \u0161tudij,<\/em>\u00a0Ljubljana<\/p>\n

Seznam nekaterih danes uporabljenih filmskih primerov:<\/strong><\/p>\n

1915- Birth of a Nation (problem rasizma, a hkrati razvoj monta\u017ee)<\/p>\n

Arrival of a Train at La Ciotat (The Lumi\u00e8re Brothers, 1895)<\/p>\n

Battleship Potempkin – Odessa Steps scene (Einsenstein 1925) vs\u00a0The Stairway Shootout – The Untouchables (8_10) Movie CLIP (1987) HD<\/p>\n

Man with a Movie Camera (Alloy Orchestra) 1929 – \u0427\u0435\u043b\u043e\u0432\u0435\u043a \u0441 \u043a\u0438\u043d\u043e\u0430\u043f\u043f\u0430\u0440\u0430\u0442\u043e\u043c<\/p>\n

It Happened One Night (1934) – Theatrical trailer [The 7th Academy Awards]<\/p>\n

Projekt ustvarjamo skupaj s Knji\u017enico \u0160i\u0161ka. Za finan\u010dno podporo se iskreno zahvaljujemo Knji\u017enici \u0160i\u0161ka, MOL-Uradu za mladino in \u0160OU v Ljubljani.<\/h6>\n","protected":false},"excerpt":{"rendered":"

Za prvo \u00bbdoma\u010do nalogo\u00ab si pogledate film\u00a0Malte\u0161ki sokol\u00a0(1941), ki si ga lahko izposodite v Knji\u017enica \u0160i\u0161ka. Ob gledanju filma razmi\u0161ljajte o kinematskih kodih, o katerih smo se pogovarjali. \u010ce ste Malte\u0161ki sokol \u017ee videli, si lahko namesto njega pogledate\u00a0Mo\u017e s kamero\u00a0Dzige Vertova (1929); ob gledanju slednjega prav tako razmi\u0161ljate o kinematskih kodih ter o relaciji […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-506","post","type-post","status-publish","format-standard","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=506"}],"version-history":[{"count":4,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/506\/revisions"}],"predecessor-version":[{"id":510,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/506\/revisions\/510"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}