{"id":610,"date":"2014-11-25T14:09:43","date_gmt":"2014-11-25T13:09:43","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=610"},"modified":"2014-11-25T14:10:51","modified_gmt":"2014-11-25T13:10:51","slug":"povzetek-tretjega-srecanja-cikla-izvori-in-zmoznosti-fantasticnega-v-fantazijski-knjizevnosti","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=610","title":{"rendered":"Povzetek tretjega sre\u010danja cikla Izvori in zmo\u017enosti fantasti\u010dnega v fantazijski knji\u017eevnosti"},"content":{"rendered":"<p>S tretjim sre\u010danjem <em>Izvorov in zmo\u017enosti fantasti\u010dnega v fantazijski knji\u017eevnosti<\/em> smo se lotili literarnih primerov iz sodobnosti.<\/p>\n<p>Prek zna\u010dilnosti in postopkov umetni\u0161kega ustvarjanja Chine Mi\u00e9villa smo ugotavljali, kako je fantazija lahko neskon\u010dno imaginativna in inovativna, a vselej tudi kriti\u010dno razmi\u0161ljujo\u010da o politi\u010dnih mehanizmih in dru\u017ebeno-ekonomskih okoli\u0161\u010dinah tako lastnega, znotrajliterarnega sveta kot, posredno, tudi sodobnosti 21. stoletja. Prav tako smo izpostavili problem serialnosti v kontekstu produkcijskih pogojev tr\u017enega zalo\u017eni\u0161tva, ki vplivajo na oblike pripovedi v izmi\u0161ljenem svetu.<\/p>\n<p>Dotaknili smo se tudi razli\u010dnih opredelitev fantazijske knji\u017eevnosti (epske fantazije, zgodovinske fantazije, urbane fantazije) in raznovrstnih razlogov zanje. S primeri del Georga R. R. Martina, Neila Gaimana, Susanne Clarke in drugih smo razmi\u0161ljali o zmo\u017enostih in omejitvah konkretnih na\u010dinov gradnje fantazijskih svetov ter s kak\u0161nimi motivi, temami in zgodbami soo\u010dajo bralca.<\/p>\n<p>Literatura:<\/p>\n<p><strong>Abercrombie, Joe<\/strong> (2007): <em>The Blade Itself.<\/em> London: Gollancz<\/p>\n<p><strong>Abercrombie, Joe<\/strong> (2008): <em>Before They Are Hanged.<\/em> London: Gollancz<\/p>\n<p><strong>Abercrombie, Joe<\/strong> (2009): <em>Last Argument of Kings.<\/em> London: Gollancz<\/p>\n<p><strong>Abercrombie, Joe<\/strong> (2010): <em>Best Served Cold.<\/em> London: Gollancz<\/p>\n<p><strong>Clarke, Susanna<\/strong> (2012): <em>Jonathan Strange in gospod Norrell. Del 1, Gospod Norrel.<\/em> Ljubljana: Sanje<\/p>\n<p><strong>Clarke, Susanna<\/strong> (2012): <em>Jonathan Strange in gospod Norrell. Del 2, Jonathan Strange.<\/em> Ljubljana: Sanje<\/p>\n<p><strong>Clarke, Susanna<\/strong> (2012): <em>Jonathan Strange in gospod Norrell. Del 3, Ivana Uskglass. <\/em>Ljubljana: Sanje<\/p>\n<p><strong>Gaiman, Neil<\/strong> (2010): <em>Nikolikje.<\/em> Ljubljana: Sanje<\/p>\n<p><strong>Gaiman, Neil<\/strong> (2010): <em>Pokopali\u0161ka knjiga.<\/em> Ljubljana: Mladinska Knjiga<\/p>\n<p><strong>Gaiman, Neil<\/strong> (2013): <em>Ameri\u0161ki bogovi.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Hurley, Kameron<\/strong> (2014): <em>The Mirror Empire.<\/em> Nottingham: Angry Robot<\/p>\n<p><strong>Martin, George R. R.<\/strong> (2007): <em>Igra prestolov.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Martin, George R. R.<\/strong> (2008): <em>Spopad kraljev.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Martin, George R. R.<\/strong> (2010): <em>Vihra me\u010dev.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Martin, George R. R.<\/strong> (2011): <em>Vranja gostija.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Martin, George R. R.<\/strong> (2012): <em>Ples z zmaji.<\/em> Ljubljana: Mladinska knjiga<\/p>\n<p><strong>Mi\u00e9ville, China<\/strong> (2011): <em>Perdido Street Station.<\/em> London: Pan Books<\/p>\n<p><strong>Mi\u00e9ville, China<\/strong> (2007): <em>Un Lun Dun.<\/em> London: Macmillan<\/p>\n<p><strong>Mi\u00e9ville, China<\/strong> (2010): <em>The city &amp; the city.<\/em> London: Pan Books<\/p>\n<p><strong>Mi\u00e9ville, China<\/strong> (2013): <em>Railsea.<\/em> London: Pan Books<\/p>\n<p><strong>Peake, Mervyn<\/strong> (1999): <em>The Gormenghast trilogy.<\/em> London: Vintage<\/p>\n<p><strong>Pratchett, Terry; Gaiman, Neil<\/strong> (2010): <em>Dobra znamenje: verne in natan\u010dne prerokbe Agnes Nutter, coprnice.<\/em> Ljubljana: Sanje<\/p>\n<p><strong>Samatar, Sofia<\/strong> (2013): <em>A stranger in Olondria.<\/em> Easthampton, MA: Small Beer Press<\/p>\n<p>Povezave:<\/p>\n<p><strong>Fantasy and revolution: an interview with China Mi\u00e9ville<\/strong><\/p>\n<p><a href=\"http:\/\/pubs.socialistreviewindex.org.uk\/isj88\/newsinger.htm\">http:\/\/pubs.socialistreviewindex.org.uk\/isj88\/newsinger.htm<\/a><\/p>\n<p><strong>China Mi\u00e9ville: Marxism and Halloween<\/strong><\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=paCqiY1jwqc\">http:\/\/www.youtube.com\/watch?v=paCqiY1jwqc<\/a><\/p>\n<p><strong>World Fantasy Award<\/strong><\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/World_Fantasy_Award\">http:\/\/en.wikipedia.org\/wiki\/World_Fantasy_Award<\/a><\/p>\n<p>Poro\u010dilo je pripravil Toma\u017e Kova\u010di\u010d.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-611\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008-168x300.jpg\" alt=\"\" width=\"168\" height=\"300\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008-168x300.jpg 168w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008-574x1024.jpg 574w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008-624x1111.jpg 624w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_008.jpg 916w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-613\" src=\"http:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" srcset=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012-300x168.jpg 300w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012-1024x574.jpg 1024w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012-624x350.jpg 624w, https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/WP_20141117_012.jpg 1632w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>S tretjim sre\u010danjem Izvorov in zmo\u017enosti fantasti\u010dnega v fantazijski knji\u017eevnosti smo se lotili literarnih primerov iz sodobnosti. Prek zna\u010dilnosti in postopkov umetni\u0161kega ustvarjanja Chine Mi\u00e9villa smo ugotavljali, kako je fantazija lahko neskon\u010dno imaginativna in inovativna, a vselej tudi kriti\u010dno razmi\u0161ljujo\u010da o politi\u010dnih mehanizmih in dru\u017ebeno-ekonomskih okoli\u0161\u010dinah tako lastnega, znotrajliterarnega sveta kot, posredno, tudi sodobnosti 21. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-610","post","type-post","status-publish","format-standard","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=610"}],"version-history":[{"count":2,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/610\/revisions"}],"predecessor-version":[{"id":614,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/610\/revisions\/614"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}