{"id":616,"date":"2014-11-25T14:20:30","date_gmt":"2014-11-25T13:20:30","guid":{"rendered":"http:\/\/kudanarhiv.org\/?p=616"},"modified":"2014-11-25T14:21:50","modified_gmt":"2014-11-25T13:21:50","slug":"3-domaca-naloga-filmski-klub","status":"publish","type":"post","link":"https:\/\/kudanarhiv.org\/?p=616","title":{"rendered":"3. Doma\u010da naloga: Filmski klub"},"content":{"rendered":"<p>V\u010deraj\u00a0smo se sre\u010dali \u017ee na tretjem sre\u010danju Filmskega kluba, na njem pa smo govorili o konstruiranju filmskega pogleda.\u00a0Pri\u010dujo\u010di koncept smo raz\u010dlenili skozi delo teoreti\u010darke L. Mulvey, pri tem smo si mo\u010dno pomagali s\u00a01. in 2. doma\u010do nalogo: ogledom filmov Vertigo in Malte\u0161ki sokol. \u00a0Sklepno dejanje dana\u0161njega sre\u010danja je pripadlo Janu Fabrisu, ki je doma\u010do nalogo nadgradil <em>v kar 15 minutno predstavitev \u017eanra &#8220;screwball&#8221; komedije, predstavitev pa je pospremil s premi\u0161ljeno izbranimi primeri in nadvse zanimivo razlago!<\/em><\/p>\n<p>Naslednji\u010d se vidimo <strong><em>22.12., ob 18.00<\/em><\/strong>, govorili bomo o \u017eanru, ponovili pa bomo tudi klju\u010dne poante prvega, drugega in tretjega sre\u010danja.<\/p>\n<p>Tokratna doma\u010da naloga je sestavljena iz dveh delov, izberete si lahko oba dela, lahko pa samo enega. Prvi del je morda nekoliko zahtevnej\u0161i, drugi del napoveduje na\u0161e 4. sre\u010danje. Doma\u010da naloga ni pogoj za sre\u010danje, je pa z njeno pomo\u010djo la\u017eje slediti predavanju.<\/p>\n<p style=\"text-align: center;\"><em>3. Doma\u010da naloga<\/em><\/p>\n<ol>\n<li>Oglej si filma Joshue Lincolna Oppenheimerja: <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Act_of_Killing\">The Act of Killing<\/a>\u00a0<\/em>in Reassemblage Trinh T. Minha (<a href=\"http:\/\/www.youtube.com\/watch?v=dXlnsYps7L8\">http:\/\/www.youtube.com\/watch?v=dXlnsYps7L8<\/a>). Ob ogledu obeh filmov razmi\u0161ljaj o\u00a0<strong><em>a) Wollenovi klasifikaciji protikinematografije:<\/em><\/strong><\/li>\n<\/ol>\n<ul>\n<li>Naracijska prehodnost (kontinuirana monta\u017ea) \/\/\/ vs neprehodnost<\/li>\n<li>Identifikacija (v klasi\u010dni reprezentaciji je klju\u010den moment identifikacije z glavnim likom) \/\/\/ vs odtujitev<\/li>\n<li>Transparentnost \/\/\/ vs postavljanje v ospredje reprezentacijskih postopkov<\/li>\n<li>Na\u010din strukture zgodbe: enostavnost \/\/\/ vs mnogovrstnost zgodbe<\/li>\n<li>Zaprtje \/\/\/ vs razpiranje<\/li>\n<\/ul>\n<p>Vir: Peter Stankovi\u0107 \/ Wollen \/<\/p>\n<p><strong><em>b) primerjaj konstrukcijo pogleda pri obeh filmih:<\/em><\/strong><\/p>\n<ul>\n<li>\u00a0Kak\u0161en je odnos do Drugega<\/li>\n<li>\u00a0Kak\u0161no mesto zaseda avtor(ica)filma<\/li>\n<li>\u00a0Kak\u0161ni so u\u010dinki obeh filmov<\/li>\n<\/ul>\n<p>Opa\u017eanja zapi\u0161e\u0161 v maksimalno 10 povedih in jih po\u0161lje\u0161\u00a0 na skratovacital (at) <a href=\"http:\/\/gmail.com\/\">gmail.com<\/a>, najkasneje do 20.12.2014.<\/p>\n<ol start=\"2\">\n<li>Oglej si Kubrickov film Paths of Glory, ki je na voljo v Knji\u017enici \u0160i\u0161ka; primerjaj ga z vsaj dvema filmoma \u017eanra ti. vojnega filma. Ob tem razmi\u0161ljaj tudi o standardih, ki tvorijo to skupino filmov: kje so podobnosti, kje so razlike.<\/li>\n<\/ol>\n<p>Opa\u017eanja zapi\u0161e\u0161 v maksimalno 5 povedih in jih po\u0161lje\u0161 na skratovacital (at) <a href=\"http:\/\/gmail.com\/\">gmail.com<\/a>, \u00a0najkasneje do 20.12.2014.<\/p>\n<p>Za doma\u010do nalogo \u0161t. 1 si lahko prebere\u0161 tudi \u010dlanek (\u010de ta zanima, pi\u0161i za njegovo kopijo na zgornji email)<\/p>\n<p><em>\u00a0<\/em><em>*** <\/em><em>Brian Carr. \u00bbAt the Tresholds of the \u00bbHuman\u00ab: Race, Psychoanalysis, and the Replication of Imperial.\u00ab V Cultural Critique, 39\/1998\/119-150<\/em><\/p>\n<div id='gallery-1' class='gallery galleryid-616 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/kudanarhiv.org\/?attachment_id=617'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/IMG_20141124_181409-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/kudanarhiv.org\/?attachment_id=618'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/kudanarhiv.org\/wp-content\/uploads\/2014\/11\/IMG_20141124_181425-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V\u010deraj\u00a0smo se sre\u010dali \u017ee na tretjem sre\u010danju Filmskega kluba, na njem pa smo govorili o konstruiranju filmskega pogleda.\u00a0Pri\u010dujo\u010di koncept smo raz\u010dlenili skozi delo teoreti\u010darke L. Mulvey, pri tem smo si mo\u010dno pomagali s\u00a01. in 2. doma\u010do nalogo: ogledom filmov Vertigo in Malte\u0161ki sokol. \u00a0Sklepno dejanje dana\u0161njega sre\u010danja je pripadlo Janu Fabrisu, ki je doma\u010do nalogo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-616","post","type-post","status-publish","format-standard","hentry","category-info"],"_links":{"self":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=616"}],"version-history":[{"count":2,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/616\/revisions"}],"predecessor-version":[{"id":620,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=\/wp\/v2\/posts\/616\/revisions\/620"}],"wp:attachment":[{"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kudanarhiv.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}